A
hysterical lipstick smack bloodies the backside
of
a perfume-soaked missive
posted
to me by a smitten bovine blob of a teenaged girl,
asking
if I want to go steady, and providing me with her digits
so
I can call her to accept this generous offer.
The
note closes with the words “Good Night,”
the
two words underscored multiple times,
the
pen nearly tearing through the tulip-bordered stationery.
Twenty-odd
years later I still shudder
when
I picture that sticky smile, shy but smug,
so
certain I would return the affection
which
she confessed to, with the encouragement
of
a counselor, after one of our group therapy sessions.
That
bloated blossom, that overripe fruit
fairly
bursting its skin to reveal
the
pungent mush festering within.
Even
my adolescent self, so sweaty and desperate
for
a taste of flesh, was repulsed.
I
wonder how many of the girls I’ve asked out
-or,
worse, lunged at- over the years, were similarly disgusted
but
were too polite to say so,
too
composed to show their discomfort.
Perhaps
they were just so appalled they were struck dumb
as
I was that day, stammering some feeble rejection
while the counselor nodded in support of our efforts
to
communicate like grown-ups.
I
tried to summon some feeling of compassion
but
couldn’t get past her eclipsing dimness.
The
orbiting satellite crashes through
the thick, noxious atmosphere of Ishtar, of Venus.
the thick, noxious atmosphere of Ishtar, of Venus.
And
when, on a rainy group field trip
to
a music festival, I brusquely repelled her attempts
to
force me to stand with her beneath her umbrella,
her
pained expression made me wince with pity
but
no real sympathy. As much as I loathed
and
wanted to destroy myself, I still felt superior
to
this lisping behemoth.
Years later, she came into the store where I worked.
Years later, she came into the store where I worked.
Waddling
ahead of her was a man, possibly
her
father, who was even more enormous.
Her
eyes had sunken into her face
like
the cushion buttons of an old couch.
Mercifully,
she didn’t recognize me.
That
night, the images rushed at me unbidden:
helplessly,
I pictured her plump fingers
probing
the folds of her own moist flesh,
her
lips puckering to kiss that reeking sheet
of
stationery, stuffing it into the envelope.
The
fat slug of her tongue, licking the stamp.
What
would it be like to be intimate with this creature,
this
woman who will never have a poem
written
about her, much less a poem steeped in passion,
dripping
with desire, swollen with love?
For
all I know, her unlucky life might be long since over,
her
corpulence whittled to a few dense twigs,
unplucked
petals fallen from the empty stem,
etc.
I could lie and claim I still possess
that
letter, and that the passing years
have
served to made me softer.
I could lie and say that if I saw her
now, I’d take her puffy hand in mine
I could lie and say that if I saw her
now, I’d take her puffy hand in mine
and
squeeze it tight, and give to her
my warmest, gentlest gaze, my kindest smile.
my warmest, gentlest gaze, my kindest smile.
So, in the cutting it too close to home department...
ReplyDeleteI cannot believe that you have not here missed the sort of emotion you intended on expressing. It is like reading a wistful recollection of being chewed in Satan's mouth at the bottom of the Inferno. (or, in my case - the eternal thought of maybe, perhaps, I am in the fact the ogre and well, she might not be.)
Exemplary candor. Desire and repulsion have always been one of the primal (human) structures of poetry. This self-revealing works(for me)because it has that comprehensiveness (condensation) which includes its speaker's recognition of his own inability to reach past his precise sarcasm and cruelty. The human admission payed to enter the human world of knowing (and loathing).
ReplyDeleteUlrich Stegna