On a tip from the waitress at the cute little
fancier-than-we’re used-to restaurant on the bay,
when we’re done eating the cheapest thing on the menu
and watching the trawlers chug out to sea, my mother and I
speed out to Yaquina Head, eager to see the tide pools
and the things that might be creeping about in their depths.
A guard booth stands beside the winding road
that leads to the beach, but this late in the day
no one is stationed there. A sign states
that the entrance fee to the park should be placed
in an envelope and slipped through a slit
A guard booth stands beside the winding road
that leads to the beach, but this late in the day
no one is stationed there. A sign states
that the entrance fee to the park should be placed
in an envelope and slipped through a slit
in the door:“We operate on the honor system.”
My usually honest mother shocks me
by gunning the engine
by gunning the engine
and zooming through without paying.
We park beside the lighthouse that stands
We park beside the lighthouse that stands
silhouetted against the setting sun
like the picture on the cover of some
religious tract or self-help tome.
The air is golden but a burning-cold wind runs its nails
through the Queen Anne’s lace bowing just beyond the guardrails.
The panoramic view of the cove is postcard-perfect.
The panoramic view of the cove is postcard-perfect.
We tramp down a steep flight of wooden stairs
to the base of the cliffs where a curly-haired college girl
huddles with a paperback, poorly paid to keep watch
over the pools of invertebrates exposed
by the retreating tide.
The rocks are round and smooth as Spaldeens,
heavy and black and knocking loose beneath our feet.
over the pools of invertebrates exposed
by the retreating tide.
The rocks are round and smooth as Spaldeens,
heavy and black and knocking loose beneath our feet.
We slide carefully down to the water’s hem,
the high crags behind us shielding us from the lashing wind.
Yellow plastic signs mark the boundaries beyond which
you’re not permitted to venture.
Rocky outcroppings jut from the water just off shore,
Yellow plastic signs mark the boundaries beyond which
you’re not permitted to venture.
Rocky outcroppings jut from the water just off shore,
clusters of boulders whitewashed with gull droppings,
constantly massaged by the waves’ gentle lapping.
My mother points to one of these tiny islands and says
she thinks she sees a bunch of white seals out there.
I laugh at her, prepare to mock her failing eyesight,
then realize she’s right; lounging about on the rocks
then realize she’s right; lounging about on the rocks
are a dozen or so seals, whiter than soap or bleached bone,
white as roly-poly little ghosts.
They are too far out. I want them to swim to shore,
want to be able to stand a few steps away from them,
want an encore of the performance at the bird enclosure
at the aquarium earlier that day,
where a common murre waddled right up to me,
cocked its head and looked as if to pierce my shoe
with its sharp, black beak
with its sharp, black beak
before turning around and diving into the pool,
where it swooped for a long, long time beneath the surface
like an aquatic bat snapping up sardines.
I don’t need to touch these creatures,
but I feel a strange need to be noticed by them,
as if I don’t fully exist until seen by some wild beast.
My mother’s concern, however well-intentioned,
is not enough, nor smiles from pretty strangers
clutching paperbacks. No, I want that connection
to some animal, something alive but non-human,
something aside from the pulpy lime-green anemones
and purple starfish clinging desperately
to the rocks at my feet. I want to be
acknowledged by these plump Buddhas,
white as ivory, with black eyes and noses,
lounging contentedly on their island,
still as statues as they bask
in the golden glow of enlightenment.
I want them to bestow upon me their blessing.
But we are too far away for them to pay us any mind.
But we are too far away for them to pay us any mind.
And so, after spying on them for a time,
distant worshipers, we grow bored,
and when the girl tramps out to collect the yellow signs
and chase away the few human stragglers
we clomp up the steps (where signs admonish us
not to take home any cobbles)
and shiver, exposed once more to the cutting wind,
then drive back to the warm motel room,
from the window of which
we can just barely catch,
burning red with the sunset,
a glimpse, a tiny sliver, of the sea.
this is an interesting window to peek thru.
ReplyDeleteyou illuminate and give the reader a cool insight.
nice writing
i think i much rather like the view from there than through the window...but i too would long for the connection to life...nice textures to this...fine story telling...
ReplyDeleteI like peeking through your window it is very interesting to look through
ReplyDeletehttp://gatelesspassage.com/2011/08/29/unsuspecting-creatures-of-the-night/
Thank you for allowing me this look through your mind at this delightful experience. :)
ReplyDeleteSo much going on that. Really like the tension. This reminded me of a trip I took to the Gold Coast not too long after my mother's passed away.
ReplyDeleteThis piece kept me captivated all along... though lengthy I couldn't stop, even though I warned myself sternly about avoiding the long ones lest I never get through this dVerse poets list from Tuesday! I'm only halfway through and it's already Friday... Your words are incredibly real and descriptive and there is no false air about your style at all.... Not only did I not quit reading this, but I read a few others as well... You, sir, have a new follower! Magnificent mind you have......
ReplyDelete