Tuesday, October 18, 2011

Ithaca 1999

I helped heave the barbers chair into the back of the pickup truck
of the couple who had driven all the way from Connecticut to haul it off.
When they drove away, we slipped back inside the split-level,
with its rose and honey sponge-pawed walls,
where, comically aproned, you cut the crusts from sandwiches
of clotted cream and watercress in a parody of English high tea.
Your spaniel zigzagged across the pasture,
cornsilk ears fluttering like banners behind her.
I slept heavily in the ocher guest room beneath the cow skulls
and mirrors framed with cedar, strung with knuckles of garlic.
That was the last time. The next time
the leaves were turning scarlet on the mountain
and you would throw back the curtain to show off the larder
stuffed with cans, the water purifier, the flour grinder.
Canisters of lamp oil. Bottles of vitamins. Cases of bourbon.
You don
t want to be in the city when it happens, you said.
They
ll be chopping down telephone poles for timber.
The hands of the crossbows counted down the hours
from their pegs above the galoshes in the closet.
Not a barrel in sight, but box upon box of cartridges.
 

12 comments:

  1. Nice story you tell in your write, enjoyed the read.

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  2. whew...yes the times are a coming...maybe if we do not turn our way...kinda scary...

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  3. Quite an atmosphere, and some interesting symbols in play. I'm not sure any of these most sensible precautions and prescriptions will keep the Red Death out of the castle, but one can but try.

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  4. There are probably more folks who horde food and amo than we'd like to think.

    There are certain phrases that make this, to my ear, uniquely a Seann McCollum poem. Things like "Your spaniel zigzagged across the pasture,
    cornsilk ears fluttering like banners behind her" seem to put one of your own drawings in my mind. "knuckles of garlic" too.

    It's nice to see you link at the pub.

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  5. An intriguing, evocative, compelling piece, Seann. I love the care you took with this piece, the exactitude of your description, how so much meaning and inference emerges from each image. These lines tugging at me--When they drove away, we slipped back inside the split-level,
    with its rose and honey sponge-pawed walls,
    where, comically aproned, you cut the crusts from sandwiches
    of clotted cream and watercress in a parody of English high tea.
    Your spaniel zigzagged across the pasture,
    cornsilk ears fluttering like banners behind her.

    These mannered and mannerly moments juxtaposed with the evidence of a phobic response to the fear that ranges so wildly in the world. xxxj

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  6. That Millenium scare you make so palpable. It's as though the poem rests between two visits which are so well textured that the reader can feel, smell, see, taste, and worry with you. Excellent.

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  7. this made me shiver...excellently written sean..

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  8. sorry...spelled your name wrong...hate when they write mine wrong...so apologies seann..

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  9. Hedgewitch pointed me your way, and what a treat ... Your fin-de-siecle bucolics are spookiest because that sort of larding up for apocalypse is still going on across the land, for various reasons - the Third Coming on 10/22 (that fundamentalist preacher who got it wrong this spring revised the date), 12/2012, militias everywhere building wilderness fortfications against black helicopters and undercovah brudders sent from the Black House in search of white women. And the insanity of it, so prepared in one way, but "not a barrel in sight." So civilization falls -- rather sonorously, in your able hands - Brendan

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  10. visual and beautiful.

    your words speak with power.
    well done.
    ;)

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  11. wow amazing story and yes I think you are right in the end what is there the movies has made us think of this and what we should look for but who knows what will happen and if will be one that lives or not
    http://gatelesspassage.com/2011/10/18/farewell-my-three-legged-friend/

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  12. Thanks for all the lovely comments, everyone.

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